I ... entered the poem of life, whose purpose is ... simply to witness the beauties of the world, to discover the many forms that love can take. (Barabara Blackman in 'Glass After Glass')

These poems are works in progress and may be updated without notice. Nevertheless copyright applies to all writings here and all photos (which are either my own or used with permission). Thank you for your comments. I read and appreciate them all, and reply here to specific points that seem to need it — or as I have the leisure. Otherwise I reciprocate by reading and commenting on your blog posts as much as possible.

30 November 2013

Commercial Poem

Come here, come here, come over here!
Here's a fresh, hot poem for sale —
one you can sink your teeth into,
one that tastes better than chocolate.

Look at it, listen to it; you have to agree
it's a very good specimen. Join the queue.
We're going to auction it off.
Who'll be the highest bidder?

Settle down! Don't push and shove!
I know you're keen, I understand.
But once the original sells,
you can bid for cheaper copies.

So don't let's make it a free-for-all.
What was that? Who yelled, 'Free verse'?
Bugger! He's started a riot.
Now they all want gifts.

Listen, mate, there's the internet
for that kind of thing. There's all those blogs.
What will you offer me
for this virgin poem, unread?


Poetic Asides November Poem A Day Chapbook Challenge: day 29, a commercial poem.

29 November 2013

Seagull Moment

It lifts up
or is wind-caught,
the gull against the sky.

I see it from beneath —
head high, chest vertical,
wide wings flaring
white on blue

like a flag
or a cross
made of light.


Poetic Asides November Poem A Day Chapbook Challenge, day 28: a bird poem

28 November 2013

Here

Sky blue burning.
Summer is here
as always, ahead of time.

Hot, hot, hot, we love it 
from inside our cooled houses,
our beaches and swimming-pools.

Evenings, we sit out
on shady verandahs,
watching the local birds.

Mornings, we're up with the sun,
watering and weeding
before that sun climbs high.

Nights, we lie under 
just one sheet, with the fan on.
Here in the Caldera, living is good.

Poetic Asides November Poem A Day Chapbook Challenge 2013: day 27, local

Free Falling, and If Books Were Free

Free Falling

I let go 
the stone
and it 
drops 
straight to 
the ground
fast.


The dandelion seed 
drifts
on its feathery white parachute,
dancing, dipping 
and tilting
this way and that,
floating down slowly.


If Books Were Free

If books were free,
I'd collect all the  stories
and read them the rest of my life.
I'd never have nothing to read.

Some would sit on my shelf,
some would be on my device.
Some I would give away.
The best I would keep to re-read.

Books are my friends and family,
books are my food and drink.
I get them for birthdays and Christmas
but I never have enough.

You can't have too many books,
but you can have too few.
If books were free and I had enough room …
I’d probably need an extra life!



Poetic Asides November Poem A Day Chapbook Challenge: day 26, free (blank) and (blank) free.

26 November 2013

The House Remixed (twice)

The day 25 prompt from Poetic Asides November Poem A Day Chapbook Challenge is to remix a previous poem —and various ways are suggested. I took a long piece of free verse — my ekphrastic poem of day 11 — and turned it into two different short, formal pieces.  

Tanka:

I dream of a house
on a cliff above the sea,
forest at its back
and green grass all around it.
I dream it waits for me there.


3x3x8
(My own invention: 3 lines, 3 rhymes, 8 syllables per line.)

The house above the sea is old.
Its big windows gaze from the cliff
and the forest rises behind.

I wonder has the house been told
that I’m the one it waits for; if
it knows that it is mine to find?

I dreamed of it always: the gold
sunlight, the breeze a little stiff,
the sea shining … time out of mind.

25 November 2013

I've Got Eyes in the Back of My Head

My Mum said that.
She meant we kids better not
do anything naughty
because she would see.

When I was little
I thought they were real,
those eyes, and I didn't
know how they stayed hidden.

Did the lids blend
perfectly with the skin behind
her hair, as if invisible?
How was it possible?

Why weren't they exposed?
Did she keep them closed
except when checking on us? 
It was most mysterious.

If they were really there,
under her hair,
didn't her hair spoil the view?
How did she look through?

I never solved these mysteries
but I still believe she could see us
doing what we didn't ought.
We always got caught!

Poetic Asides November Poem A Day Chapbook Challenge: day 24, response to a statement.

Also linking to dVerse Poetics, 1 March 2014, on invisibility. (Mum's extra eyes may have been invisible; our misdeeds were not!)


24 November 2013

I Shouldn't Be Here

But I am,
in the gap between 
the back of the couch
and the wall.

This is my secret place.
Now I mustn't move.
There are voices
and I know whose.

They are saying
grown-up things. 
I don’t understand, but I know 
I’m not supposed to hear.

I’m listening
with wide-open ears
and keeping 
very quiet.



Poetic Asides November Poem A Day Chapbook Challenge: day 23, 'I shouldn't be here'.

23 November 2013

Secret Messages

We wrote them in lemon juice
on white paper.
The juice faded quickly
to invisible. We children knew —

When you received
a blank sheet of paper,
it was a secret message
from one of the gang.

To read it, you had to
iron it — yes, like laundry.
The heat made the letters appear,
turning them rusty brown.

But it all depended on
having a wooden pen
with a steel nib — as we did —
to dip in the lemon juice.

What do kids do now
when pens like that
are never seen?
Now they use computers.

Now, to make 
a secret message,
hit ‘Select All’
and turn the text white.

The person on the other end
has to know. They re-select, 
turn it back to black,
read it. Perhaps reply.

But that’s the problem
with secret messages.
Sooner or later you do have to
read them. And if you can ...

In my day you burnt the paper, 
or chewed it up in little bits 
and swallowed it. You can't do 
things like that to a computer. 


Poetic Asides November Poem A Day Chapbook Challenge: day 21, Secret messages, second attempt.

Ode to the Remora

I love the idea
of this ray-finned
sucking fish,
its oval dorsal fin
with slat-like
structures
to take firm hold
against the skin
of larger mammals.

They attach
to some poor wretch
of shark or whale,
turtle or dugong
or mantua ray.
Holding tight,
they look like
little silver ripples
on its hide.

That is,
they hitch a ride.
I guess it’s faster,
even though
they swim well
on their own
with sinuous
or curved
motion.

Many but small,
they travel together,
feeding on what
the host drops.
Some hide
in the great casket
of the host’s mouth
scavenging
leftovers.

Sometimes
the host
eats them!
It’s a life
lazy but
dangerous,
prone to
sudden
eclipse.


Poetic Asides November Poem A Day Chapbook Challenge: day 22, use at least three of these words ( used four):

·       ideogram
·       remora
·       casket
·       eclipse
·       selfie
·       wretch

Many of the phrases used were found in the Wikipedia article; some quoted verbatim.
      
Also submitted for dVerse Form For All: an ode in the style of Neruda, i.e. short lines, concrete images, real-life objects. They’re supposed to celebrate the ordinary; I departed somewhat from that! 

22 November 2013

Secret Message

Let this poem, going
on down the page,
veering not, show
everything that matters.

If it had a
spine,

a straight edge, all
links would support
lucid or veiled explanations.

Is not such a
secret message found

at the beginnings of
linear explorations, and (partly) one
long sideways excursion?



Poetic Asides November Poem A Day Chapbook Challenge: day 21, a secret message.

This one is more of a riddle, really. Who will be first to post the answer?

21 November 2013

Always and Never

Always and Never
are sister and brother.
You can't have one
without the other.

If you always drink coffee,
you never drink tea.
If you're never imprisoned
you'll always be free.

If you always worked
you'd never get to play.
If you never went home
you'd always be away.

But to do something never
can't always be good.
And to do something always —
I'm sure I never could. 

I often like sometimes;
I sometimes like often.
Always and never
are too hard. Let's soften!

But if you leave one,
you must leave both together.
They travel in tandem,
always and never.

Should I bid them goodbye
forever and ever?
No! I often like always
and sometimes like never.

So though I won't always
say always, that's true,
I don't think I'll never 
say never, do you?

Poetic Asides November Poem A Day Chapbook Challenge: day 20, ‘Always …’