I ... entered the poem of life, whose purpose is ... simply to witness the beauties of the world, to discover the many forms that love can take. (Barabara Blackman in 'Glass After Glass')

These poems are works in progress and may be updated without notice. Nevertheless copyright applies to all writings here and all photos (which are either my own or used with permission). Thank you for your comments. I read and appreciate them all, and reply here to specific points that seem to need it — or as I have the leisure. Otherwise I reciprocate by reading and commenting on your blog posts as much as possible.

Showing posts with label line. Show all posts
Showing posts with label line. Show all posts

20 October 2014

Flagging

A friend on facebook posts
a picture of a ‘flag of peace’, sharing it
from a site called ‘Imagine
Peace’. The caption
says, ‘Fly the flag
of peace’ — and I want it to be
a signpost, pointing
in a single direction, not a
flag waving in the breeze according to
whatever wind is
prevailing at the time, in
whatever place the flag is
planted. But I am wrong of course: you have
to be wrong if you object
to a flag of peace; we should all
be grasping it, waving it, fair
in the faces of
any old war-monger out there. Only I
wanted clear direction, and
there isn’t one really, except
I suppose, not to
fly flags
of war.










31 Poems in 31 Days (Poewar / Writer's Resource Centre). Prompt: Use lines of varying length, either end-stopped or enjambed. As I usually end-stop, I decided to try enjambment.

10 August 2013

Observing Line and Metre (Non-Diverse)

After a discourse on line and metre, Gay at dVerse Form For All — Prosody invites us to take a few lines of our own free verse and rewrite them in iambic feet of any line length — noting that unrhymed iambic pentameter is called blank verse. (I admit, she said we could include a few anapests.) Well, I tried. I thought it might fix some languishing draft that wasn't working yet, but it did not improve any of them! Instead, a new piece:

Iambic feet and pentametric lines
will make my verses blank; is that not so?
Well, blank means only that they are unrhymed
(and following that metre, as I’ve said)
but many poems gallop to this beat
and solemn topics rollick jollily
in inappropriate cheerfulness of pace.
There’s more to poetry than may be found
in repetitions of de-DA-de-DA,
in lines of even length, in perfect count
of syllables in alternating stress.
I like a sonnet, but a haiku too
is poetry I think — indeed, insist!
And as for this, my friends, it’s doggerel
(also a piece of fun to start my day).


PS When it comes to metre, this is my favourite reminder:

Remember this verse:

Iambic feet are firm and flat                                                             - / - /
and come down heavily like that

Trochees dancing very lightly                                                        / - / -
Sparkle, froth and bubble brightly.

Dactylic daintiness lilting so prettily                                               / - - / - -
Moves about fluttering rather than wittily

While for speed and for haste such a rhythm is best                    - - / - - /
As we find in the race of the quick Anapest.

(Source unknown)