I ... entered the poem of life, whose purpose is ... simply to witness the beauties of the world, to discover the many forms that love can take. (Barabara Blackman in 'Glass After Glass')

These poems are works in progress and may be updated without notice. Nevertheless copyright applies to all writings here and all photos (which are either my own or used with permission). Thank you for your comments. I read and appreciate them all, and reply here to specific points that seem to need it — or as I have the leisure. Otherwise I reciprocate by reading and commenting on your blog posts as much as possible.

Showing posts with label egomaniacal cento. Show all posts
Showing posts with label egomaniacal cento. Show all posts

30 July 2016

Communing with Ghosts

Morning coming thin
in a small town with hills and a river.
I got home just as the light was changing,
the cool and sweet
rain running down.

Our house had stained glass windows.
The water blurred the glass:
waterfalls of cloud.
You smiling,
drinking the quiet cold.
I wonder at this great blessing.

But that was only the beginning.
Late afternoon sun,
long summer nights.
Hibiscus buds fall open,
red gauntlet to bloody the first ...
trails of fern move to evade.
I am not quite ready to engage fully with my sorrow.

The old church never alters.
The wind clings to the wall,
down through the strange dark –
the confluence of waters where
further mysteries open,
chalked on dark stone.

You kept falling over
in absolute amusement.
The gates were slow to close.
You don't remember that now.
You cough in your sleep.
The old dog knows.

Today I'm grace but for litter.
I am a void that everything flows through. 
(Owl with the black face,
what is the name of this power?)

He is alone in another country
using his derelict hat to salute me.
It was all a long time ago.
Again we have stayed silent,
not knowing we lied.

The moon is coming to the full.
Moonlight and your shining face.
And afterwards we wept as we embraced.

And remember last year in Lamesa –
the evening light on the grass,
the house where she planted roses?

She came on the night blinded,
radiant with tears.
Her skirt fluttered...
I had to do what I did.


This is an 'egomaniacal cento' (found in The Crafty Poet: a Portable Workshop by Diane Lockward). A cento is a poem made up entirely of lines borrowed from other poets. The egomaniacal cento uses lines taken from one's own discarded drafts, journal entries, etc. In this case, they are all from discarded drafts, and chosen to create a certain mood. The fun is in the arranging, and sometimes re-punctuating, so as to suggest actual meaning.

Linked to dVerse OpenLinkNight #176



29 April 2013

The Next Great Adventure

Opening the door
this morning
devoid of song
I almost
would come into the room
where the sun comes in

and I wonder about that. 
Rain is auspicious,
a different thing.
It's all over now — but still
if the way had been clear....
Some give up altogether. I go on.

At least the marigolds
covered the road,
creating a new path
as one dimly remembered
more than any other.
That memory of that moment,
indeterminate as clouds —

this is everything!
Where have you gone
from ghosts and weeping?
Without breaking down and screaming,
it seems uncertain.
Darkness.

Poetic Asides April Poem A Day Challenge 2013, 29: Use a line from a previous April poem as title. 

I decided to have fun taking it further and making a whole poem out of lines from previous poems written this April, i.e. a cento. To be specific, an 'egomaniacal cento'; the normal cento uses lines from other poets. (The resulting poem is nonsense, of course — but I hope that it almost makes sense!)

Also submitted 8 Feb, 2015 to Poets United's Poetry Pantry #238