I ... entered the poem of life, whose purpose is ... simply to witness the beauties of the world, to discover the many forms that love can take. (Barabara Blackman in 'Glass After Glass')

These poems are works in progress and may be updated without notice. Nevertheless copyright applies to all writings here and all photos (which are either my own or used with permission). Thank you for your comments. I read and appreciate them all, and reply here to specific points that seem to need it — or as I have the leisure. Otherwise I reciprocate by reading and commenting on your blog posts as much as possible.

Showing posts with label moon. Show all posts
Showing posts with label moon. Show all posts

23 May 2016

Dark Night, Full Moon

A small full moon, high
in a blackly cloud-covered,
almost starless sky.

Only one point of light,
Mars, is visible with her –
bold, warm and bright.

It is enough. There is peace
inside the womb-dark,
a soft release.

The night makes no sound.
I enter sacred space.
The circle folds me round.















(But I couldn't get a good one that included Mars.)

Linked to Gillena's Monday WRites and to the Tuesday Platform for 24 May 2016 at 'imaginary garden with real toads'.

15 March 2016

By Singing Light

‘In my craft or sullen art / Exercised in the still night / When only the moon rages…’ – Dylan Thomas

White full face floating in my window, you spread a sheet of light across the wide dark sky. You spread another over me in my child-size bed by the wall under the sill. You hold me wakeful, glad to be so, watching you watching me. You smile, serene. Your gaze on me twinkles: knowing. You know me. As I grow, you shine through many windows – my desk in deepest night, after everyone else is in bed and I am writing, writing; my kitchen when I rise, unable to sleep, and look out over the still street and somnolent houses, and above them to you and the stars.

You are my distant love, my pale beauty: luminous, mysterious. You are my close friend, right by my side, firm touch on my shoulder, whispering wonderful words in my listening ear. There are times in autumn when your face is enormous, golden. You roll along the horizon, keeping pace with our passing car – always riding with me, always looking with true aim across the space between and finding me, filling my sight. My lifelong love, others may see you too and even adore you, but the secret look you send to my eyes tells me our converse is personal, ours alone. You sing for me, very softly, very clear. Now and forever, I thrill to your secret song.

spreading dawn
more and more birds chirping
slow moon fade















Written for Haibun Monday #9 at dVerse, with a suggested focus on the moon. Also inspired by Brendan at 'imaginary garden with real toads' asking us to write of our Muse as paramour.


Image: Creative commons – full moon March 

(no other attribution given).


31 July 2015

Night of the Blue Moon

I use my laser-tipped shaft
– a long crystal laser –
wand and athame both.

I cast a simple circle,
no elaborate ritual tonight.
I’m a plain and basic witch.

I welcome the elements,
creating sacred space
in my small back yard.

Even in moonlight
the trumpet creepers
glow bright orange.

The trees bend in
above me; the rose bush
has tight new leaves.

It has been a strange day.
Now I reach night, and accept
that some friendships grow old.

This, though, is constant: me
and the full moon together
in a garden, year after year.

I let the day go, in its pain.
With raised arms, I accept
into myself the moon’s white light.

I draw it down, and use it
to bless the plants and my cat
and the listening nature spirits.

I ask that the world will know
love, peace and truth. I ask
to be strong. And wise.


Linked to Poets United's Midweek Motif: Acceptance

This poem also appears in Sherry's Poets United feature: A Chat With Rosemary Nissen-Wade ~ On Poetry and Witchcraft; and again in her later feature: Poems for a Witchy Halloween, along with poems by herself and Magaly Guerrero.

31 January 2014

New Moon Ritual at the House on the Hill

We are dancing in a circle on the grass. We  are holding coloured scarves. 'Let the colours choose you,' our leader said as she passed the basket around. When the basket came to me, the golden one was on top. Our scarves are as large as tablecloths but fine and filmy, undulating in the evening air. We hold them by the top corners, letting the other edge fall and dangle. As we dance to the centre we flutter them up. As we dance to the rim we sweep them down to the ground. The night is still light when we begin. By the time we are finished, the dark has come. Over the starlit grass we inhale the scent of roses.

Submitted for dVerse Form for All: Prose/Poetry

28 March 2013

Full Moon in March


I went out under the night sky
clad for ritual
in my small, enclosed back yard.
(I have quiet neighbours
who stay indoors after dark.)

The moon emerged from cloud
bright white
and stood awhile above us
meeting my eye.
My black cat came out too.

The night was mild.
No breeze — only
as I lifted my arm to cast circle
a quick cool breath on my wrist.
I paused, then asserted my right.

Barefoot on mossy earth
I flung out my arms in joy
and breathed up sustenance.
It filled me.
I had nothing to utter but thanks.


Submitted for dVerse Open Link Night #89

4 February 2013

The Goodbye Ritual


On the night of the full moon last
I did the ritual —
I called the Powers to witness
my long-delayed, formal goodbye
to the dear man who has gone into my past.

Not that I could see the full moon.
It was utterly black, that sky —
not even pin-prick stars.
Heavy, relentless, the rain fell and fell.
Light would not pierce that veil, not soon.

So I came indoors,
and from far and high
I called them all —
the elements, the God, the Goddess —
into my bedroom, which used to be ours.

And there I said goodbye to my beloved;
a final, deliberate farewell
within a circle of sacred space,
watched by the moon’s invisible eye …
admitting at last that he is dead.

This form, invented by David James, is called Karousel
Poem submitted for dVerse OpenLinkNight #82

Published in THE d'VERSE ANTHOLOGY, 2013.

5 July 2012

Full Moon Observance

Dark rainsky
I think the moon
will be hidden.

When I go out
into clear cold
she is right above.

I tilt my head
her white circle doubles
the two overlap.

Around the vesica piscis
bright blue light
shines and deepens.

Lady Moon
I stand on the earth
and beg for blessings.

The hour grows late
help me now to fulfill
all my promises.

Submitted for dVerse Open Link Night #51

This poem also appears in Sherry's Poets United feature: A Chat With Rosemary Nissen-Wade ~ On Poetry and Witchcraft.

21 June 2012

Dark of the Moon

dark of the moon
the night before solstice
midwinter

I remember
nights of dancing
song and prayer

I celebrate
in silence tonight
solitary

a watcher
(not that there is one)
would only see

an old woman
sitting and writing
sipping wine

lifting her head
now and then to gaze
at the dark

she is wearing black
and around her neck
a moonstone

27 September 2011

Dark Moon

moonlight
rainfall
street lights

grey-blue mist
backlit clouds
not one star

moondark
light rain
street fall

backlit mist
blue-grey clouds
no night star

nightfall
dark street
rain-lit

star-mist dark
light grey-blue
back street night

street rain
light fall
dark moon

Moon journal: 30


And submitted for dVerse Open Link Night #11

Included in the book, THREE CYCLES OF THE MOON

Hana

I could pull a card for Hana, lady of joy,
except that I know her soul is Priestess.
She is poet and true-seer, guided by the Moon.

These last few years she has been exploring
Empress expression, blossoming in the Sun,
dancing in water, in tropical gardens, cradling

her infant daughter, watching her young son 
play and grow, willing him strong,
expanding herself, embracing herself.

But she is Priestess, who keeps her soul free.
The man with the face and form of a god,
eternally a youth, was temporary.

Venus was too much woman for Adonis!
And the soft, lush, fertile island
needed at last a contrast. She travelled

to the cold north, to a landscape
of tougher beauty, and found
her roots in rock and earth.

Deep roots. They bring her back now
to the temperate land of her birth, her girlhood.
Here she begins the ordering process,

the process of story. She has lived through
great adventures, emerging changed forever
and whole. She begins the chronicle.

                       ********

Seeker of joy, finder of joy, may you always 
dance in the light of the Universe! 
And may you, Moon-woman, continue 
inspiring and living true dreams.

Moon journal: 29

Included in the book, THREE CYCLES OF THE MOON

In the Gilded Tarot, the Moon

In the Gilded Tarot, the Moon
has a soft face, sweet lady
gazing up at the light she reflects.

The crayfish, mysterious symbol,
is not crawling up on land
but jumping half out of the water.

The towering gates
are like massive candles
or Olympic torches.

Central is a gold disc
like an artist’s palette,
and like intersecting cogwheels.

The sun is about to rise.
Low down over the water,
the sky is pinky-purple.

The dog and the wolf 
bark in unison to greet
rising sun and risen moon.

This is a variant image
from the one in Rider-Waite.
Could I do magic with this?

I could, except that
no-one’s deceiving me,
they’re all asleep.

And I too need my sleep.
No need to find a secret name
for my hidden enemy —

the one who deprives me of rest
is myself, while the real moon
climbs the sky oblivious.

Note: This is not a reading of the Moon card in the Tarot, but 
a personal take on the images in this particular Moon card.

Moon Journal: 28

26 September 2011

Motivation

Nights of no moon,
days of no moon poems.
Somehow I am four short
of those I need to fulfill
the promise of one every day
for this lunar month.

It’s true: there were days,
a few days bunched together,
when I got jack of it — 
turning up faithfully
night after night
for your no-show.

Funny, when I do it
simply for spiritual connection
with no thought of poetry,
I don’t care if I can’t see you.
Knowing where you are
behind the clouds, I blow you
a smiling kiss anyway.

Moon journal: 27

Small Moon

Small moon, I don’t see you
although your accompanying star
is the one light visible tonight
in our clouded sky.

For most of this lunar month
which, theoretically, 
I was to spend looking at you,
I have been looking for you
and not finding.

Not your fault.
You presented yourself, I know,
but the weather ran interference.

You will be the same moon
(won’t you?)
next time you begin
your waxing phase.

But I wanted this one!
This phase of you. This present 
incarnation, manifestation, moment.

The moments skip past so fast
and we can’t grasp them.
I am not the first to discover this
but lately the realisation
seems more urgent.

Also we can’t
see past impenetrable veils.
I shall have to settle
as others have done
for the moments I am given

saying thank you.

Moon journal: 26

Included in the book, THREE CYCLES OF THE MOON

25 September 2011

Rediscovering Stonehenge

(title of television program)

I am watching the History channel:
an excited anthropologist
thinks he has rediscovered Stonehenge
as a temple not to the sun but the moon.
Above the window which shows
the sun dawning at Summer Solstice,
another frames the light of the moon
coming to fullness every month.
And even the sun window also shows
Winter Solstice sunset — the true focus?

It seems self-evident to me:
the Goddess and the God,
the cycle of the seasons turning; 
neither sun nor moon alone, predominant,
but both, together, ruling the heavens
and shining down on the earth.
People, he remarks in wonder,
were able to carry out science
at quite sophisticated levels, observing
the movements of lights in the night sky.

Their physical skills, he adds,
cannot be parallelled. At certain stages
of the agricultural cycle, even today,
there’s a labour force with nothing to do.
The great pyramids at Giza
were built around the same period.
Newgrange in Ireland, believed to be
solar observatory and tomb, was earlier still. 
What magic built Stonehenge and the rest? 
He tells us: Infinite time and patience!

A German disc has been found,
dating from the Stonehenge era.
He displays it on screen, noting
it not only depicts the sun
but gives equal space to the moon.
At Newgrange he shows us a carved stone: 
three spirals coiling from one centre.
He wonders if this has religious significance.
Oh, just ask any witch! Yes, that
is a spiritual symbol, a clear triskelion.

After the end of the Ice Age, he tells us,
‘the moon-fearing hunter-gatherers’
were superseded. Agriculture needs
the cycles of the sun. But when crops failed,
did they blame themselves for neglecting
an earlier, lunar worship? (Yes, he suggests.)
He shows us tall gold wizard hats, decorated
with all the phases of the moon. The people,
he supposes, needed priest-kings, masters of time, 
who understood these older mysteries.

Finally, with irritating time and patience,
he arrives at my own conclusion:
sun and moon are united, sun and moon
are in harmony! Those ‘windows’ at Stonehenge,
when you get them lined up just right, reveal
everything that they reveal: the movements 
of the sun mimic those of the moon; and
the movements of the moon mimic
those of the sun. It becomes self-evident,
and he says it: They are one and the same.

Moon journal: 25

Aso submitted for dVerse Poetics: Repetition.


P.S. The triskelion mentioned is duplicated in the Poets United logo in the sidebar at the right!

Included in the book, THREE CYCLES OF THE MOON

24 September 2011

15% of Full

My energy correspondingly wanes
and so does his. I’m down with flu,
he’s lagging just a day or two behind
with the same exhaustion that hit me
twenty-four hours ago. He has taken
to his bed with The Australian Author.

He is an Australian Author — 
but perhaps not The. I am one too,
but similarly....  Why am I sitting here
making poems, when I could be snuggling?
I guess I’ll be doing that to my dying day.
Making poems that is, not snuggling.

‘Not snuggling.’ It’s a theme.
I want to be comforted, babied,
now that I’m past the crabby phase.
(Lucky for me he’s not there yet.)
The moon and I are becoming 
littler, younger, foetally curled.

Moon journal: 24

22 September 2011

The Moon Shrinks

as does my attention upon her.
She is not to be seen
through the haze that even the sun
has trouble piercing, the smoke
that even as it thins 
fails to disperse.

But I know that behind the veil
she’s a crescent,
a sickle, a scimitar, a curl of light;
outline of a pregnant belly, holding 
darkness within, the shape
of the unknown.

Oh void, oh mystery, oh edge
of nothing-something,
I am starting to forget you —
starting not to want
to enter the dark to look for you.
It’s Spring, Ostara: I dance in the sun!

Moon journal: 23

21 September 2011

Love in the Afternoon

The three-day-old smoke haze hides the moon.
My Astrological Moon Calendar and Planting Guide
shows it exactly halfway between full and dark —
so I imagine this to be a time of perfect balance.

Anyway it’s Spring. The afternoon is warm.
All the work is done. There are new sheets on the bed.
We kick the cats out of the bedroom and make love.
Long, lazy love lasting for hours; leisurely and light.

His skin is clean and smooth, sweet-smelling.
I nestle in, we stroke each other all over.
Afterwards he declares it our best loving ever.
‘You have a short memory,’ I say. ‘Some other times....’

There is something to be said for the slow descent
towards the dark, and the way the focus narrows in.
As the time of a life cycle shortens, moments lengthen.
‘In the last quarter, the movement is toward integration.’



Moon journal: 22

Submitted for dVerse Open Link Night #10


Included in the book, THREE CYCLES OF THE MOON (a collaboration with Jennie Fraine and Helen Patrice). 

Shared, approx 14 years later, with Poets and Storytellers United for Friday Writings  #183: A Perfect Afternoon.



19 September 2011

Making Connections

All day a haze of white
has covered the sky
turning the sun dark — 
but it’s too hot
for a nuclear winter.

The internet tells us: smoke 
from controlled burns and others
spreading across the corners
of two States. 

Tonight of course
we see no moon.

Out walking late this afternoon
we spoke to neighbours 
we’d never met, 
all at that point mystified.

Much later, watching on telly
an hour of Jimi at Woodstock,
I well remember
seeing this first at the time —
the height of the Vietnam war
and the height of the protests.

We knew about the napalm by then 
and My Lai. So did he.

Oh my God, we said in ’69, 
as he played the Star Spangled Banner
and gradually his guitar
gave us the noise of screaming 
over the blare of guns.

Confusion / connection / communication.
Even in times of no light.

Moon journal: 21

30 Poems in 30 Days: 25, Include a pop culture reference. 
(Yes, the 30 Day poems are liable to get a little out of order now, 
as I seek to combine prompts when possible.)

Included in the book, THREE CYCLES OF THE MOON

18 September 2011

Tonight the Moon

Tonight the moon
is a bright orange light,
as big as if full
but only three-quarters now
and hanging low down
under its nearest star.

I am glad to note that star
always attached to the moon.
I call to my love to come down
where he can see the surprising light
of this almost-orb we have now
blazing, not quite at the full.

Once he was full
of energy, sizzling like a star,
but frail and slow now.
Still he is thrilled by the moon
sending orange light
through the trees, and comes down

to where he can see it whole. I help him down
the steep stairs. Out in the yard, we are full
of childlike delight,
standing gazing at moon and star.
‘Yes,’ he says, ‘An astonishing moon.
I see it clearly now.

‘But I must go back up now.
I feel unsteady here. I think I might fall down
when I tilt my head back to look at the moon.’
Already my pleasure is full,
having shared with him tonight’s bright moon and star.
‘Let’s go!’ I say, keeping it light.

We climb back up the stairs by orange light
shining on us here, tonight, now.
I follow him like that attendant star
which follows the moon up and down
the arc of the sky; follows from new to full
and through the dwindling to the dark moon.

Leaving the moon, we enter interior light
knowing that life is full even though slower now —
having adventured down to an orange moon and a star.



Moon journal: 20

Included in the book, THREE CYCLES OF THE MOON

17 September 2011

Alteration

Low in the sky
the moon has lost
the top of her perfect circle.

Close by
is the only visible star.

Two streetlights
as if in reflection
sparkle, half hidden by trees.

Most of the houses are dark;
only two windows lit.

Despite their peaceful beauty,
I am a little uneasy
viewing these paired lights.

The still air seems expectant
with the certainty of change.

I write a haiku sequence
and realise I don’t even know
what is haiku any more.

I’ve moved into
a different space.

Quietly, without notice,
I am changed after all these nights
attending to the moon.

Reality and dream
evaporate. There is only poem.

Moon journal: 19

Submitted for Poets United's Poetry Pantry #136