I ... entered the poem of life, whose purpose is ... simply to witness the beauties of the world, to discover the many forms that love can take. (Barabara Blackman in 'Glass After Glass')

These poems are works in progress and may be updated without notice. Nevertheless copyright applies to all writings here and all photos (which are either my own or used with permission). Thank you for your comments. I read and appreciate them all, and reply here to specific points that seem to need it — or as I have the leisure. Otherwise I reciprocate by reading and commenting on your blog posts as much as possible.

Showing posts with label Kelvin S. M.. Show all posts
Showing posts with label Kelvin S. M.. Show all posts

16 May 2014

Tilus Against Cycling

1. Motorist’s Lament

A narrow road, a mob
of cyclists —

Curse!

Double lines,
must not pass

go.

Slow up the hill, behind
chug, clatter

squeak.

All those tight, bright bottoms
in my face

eww!


2. Pedestrian’s Lament

“Easy as riding a
bike” — but I

can’t.

Nervous little mother
insisted

not.

When I got to fifteen
new schoolmates

tried.

Lunch-time lessons each day
in the lane

but.

You leave some things too late —
forever

lost.


I fell in love with this three-line form (used for a dVerse prompt in previous post) and decided to use it again for Poets United's Bicycling prompt, creating two chains (how appropriate for cycles, lol).

Tilus for a Friend


Text from my friend: cancer
surgery

now.



Sunny autumn morning
clouds over

fast.



The tall tree by the fence
unchecked weed

grew.


Each of the above can stand alone. Also they work as a sequence, and that works in whatever order you read them.  They appear in the order they were written.

The tilus is a form invented by Kelvin S.M.  At dVerse just now we're asked to give it a try. The tilus is supposed to be about nature, but I found it also worked well for the thing uppermost in my mind at present (see first stanza above).  Then the nature ones I tried reflected the same mood, like an oblique commentary on the first. I realised I had not only a series of separate poems but also a connected sequence.  Then I noticed that the sequence worked in any order.  So all in all a very useful form!