I ... entered the poem of life, whose purpose is ... simply to witness the beauties of the world, to discover the many forms that love can take. (Barabara Blackman in 'Glass After Glass')

These poems are works in progress and may be updated without notice. Nevertheless copyright applies to all writings here and all photos (which are either my own or used with permission). Thank you for your comments. I read and appreciate them all, and reply here to specific points that seem to need it — or as I have the leisure. Otherwise I reciprocate by reading and commenting on your blog posts as much as possible.

Showing posts with label renga. Show all posts
Showing posts with label renga. Show all posts

24 May 2017

Ancient Road – tan renga

ancient road…
the trails of the masters
absorbed in fallen leaves                            © Adjei Agyei-Baah

thickening over the years
rarely disturbed by new feet                 © Rosemary Nissen-Wade

or:
     
the road climbing higher
towards the mountaintop                          © Rosemary Nissen-Wade


For Carpe Diem's Tan Renga Challenge 2017 #15

Springtime – tan renga

Springtime in Edo,
Not a day passes without
A temple bell sold.                                    © Kikaku

Happy sounds rise on the air –
laughter and hopeful prayers.                    © Rosemary Nissen-Wade


or:

I think of how little I know
of Edo and its temple.                                © Rosemary Nissen-Wade


Written for Carpe Diem's Tan Renga Challenge 2017 #14

Bamboo – tan renga

bamboo
waving candlelight into the night
wind                                                        © Jane Reichhold

the scent of the tropics
when you and I were young                         © Rosemary Nissen-Wade

or:

thin stems rattling together
by my father’s fernery                                   © Rosemary Nissen-Wade


Written for Carpe Diem's Tan Renga Challenge 2017 #13

And linking to the latest Tuesday Platform at 'imaginary garden with real toads'.

20 May 2017

Dandelion, dandelion – tan renga

dandelion dandelion
on the sandy beach
spring opens its eyes                    © Ogiwara Seisensui

a new morning 
blooms shiny gold                        © Rosemary Nissen-Wade

or:

awakening to sunshine
and sparkling ocean                      © Rosemary Nissen-Wade


Written for Carpe Diem's Tan Renga Challenge 2017 #12

(I found this one really difficult to extend – probably because I regard the original haiku as complete and perfect in itself.)

17 May 2017

Taste of Nature – tan renga

taste of nature–
sweet blackberry bushes
sing to child and bees                           © Sara McNulty

the hum of pleasure deepens
through the sunny afternoon                 © Rosemary Nissen-Wade

or:

the tart-sweet juices spread,
reddening mouths and fingers               © Rosemary Nissen-Wade


For Carpe Diem's Tan Renga Challenge 2017 #11

And linking to Poet s United's Poetry Pantry #354

16 May 2017

An Autumn Leaf – tan renga

now it reveals its hidden side
and now the other—thus it falls,
an autumn leaf                                        © Ryokan Taigu

the light face, the dark face, 
are only one leaf, one whole                 © Rosemary Nissen-Wade

or:

a butterfly rises
its bright wings flickering                      © Rosemary Nissen-Wade


For Tan Renga Challenge 2017 #10 at Carpe Diem

Also linking to Tuesday Platform May 16 2017 at 'imaginary garden with real toads'

15 May 2017

Leaves Float Away – tan renga

autumn evening
like whispered prayers
leaves float away                             © Dolores Fegan

darkness settles slowly
warm like prayers answered            © Rosemary Nissen-Wade 

or:

my outdoor temple breathes
peaceful in the soft breeze               © Rosemary Nissen-Wade


Another  prompt from Chevrefeuille at Carpe Diem: 
Tan renga challenge 2017 #9.

11 May 2017

The Flower of a Pumpkin – tan renga

the flower of a pumpkin
as well as Mt. Ishizuchi
is great in scale                                  © Tomiyasu Fusei 

slow changes over time
it forms another shape                       © Rosemary Nissen-Wade

or:

big pot of hot pumpkin soup
family fed from flower                      © Rosemary Nissen-Wade


For the Carpe Diem  Tan Renga Challenge 2017 #8  

(I think I am probably being too intellectual, not enough sensual.
What do you think?)

10 May 2017

Two Sets of Footprints – tan renga

two sets of footprints
in freshly fallen snow
one pair from Kyoto                             © Hamish Managua Gunn

patterns on the soles reveal
only part of the story                             © Rosemary Nissen-Wade

or:

how far has the stranger come
to meet a friend in the cold?                  © Rosemary Nissen-Wade

or:

new city shoes leave clear prints
the others must be well-worn                © Rosemary Nissen-Wade


For Carpe Diem Tan Renga Challenge 2017 #7: two sets of footprints.

9 May 2017

First Autumn Morning – tan renga

first autumn morning
the mirror I stare into
shows my father's face                          © Murakami Kijo

hints of the coming cold
familiar from times before                    © Rosemary Nissen-Wade


Written for Tan Renga Challenge Month 2017 #6 at Carpe Diem.

Shared with The Tuesday Platform for May 9, 2017 at 'imaginary garden with real toads'

8 May 2017

Silent Steps – tan renga

silent steps –
one more candle illuminates
the old chapel                                      © Ese

a shadowy figure passes
along the edge of vision                       © Rosemary Nissen-Wade


lightning one candle
with another candle
an evening in spring                            © Buson (Tr. unknown)

from the withering the seed
from the seed the new blossom           © Rosemary Nissen-Wade



Carpe Diem Tan Renga Challenge 2017 #5: silent steps

Shared with The Tuesday Platform for May 9 2017 at 'imaginary garden with real toads'

7 May 2017

Tan Renga for Jane

At Carpe Diem, in honour of the late Jane Reichhold, we are asked to add two lines to some of her haiku, in 'tan renga' – which I found challenging, because I learn that the idea of tan renga is to associate on one aspect of the haiku, not what it says as a whole. My associations are with  the middle line of each, except the final one where I associate to the last line.


morning breeze
coming in the window
surf sounds                                              © Jane Reichhold

scents of briny ocean
and the shrill calls of gulls                      © Rosemary Nissen-Wade

*

without lights
the brightness of a blue sky
full of stars                                               © Jane Reichhold

the white swathe of milky way
superimposed like a cloud                        © Rosemary Nissen-Wade

*

balanced at dawn
a full moon slides into the sea
without ripples                                         © Jane Reichhold

the sun melts upward smoothly
from the opposite horizon                        © Rosemary Nissen-Wade

*

stars bend down
into the wind of whitecaps
morning light                                           © Jane Reichhold

the stars gradually fade
sky and water brighten                             © Rosemary Nissen-Wade



Written for Carpe Diem Universal Jane #16 Morning Breeze
Also linking to Poets United's Poetry Pantry #352



4 May 2017

Paulownia Trees – tan renga

A tan renga for Carpe Diem: the initial haiku is supplied (in this case it is by Nozawa Boncho); we are invited to add two lines.  This one was interesting for me, as I have some old history with paulownia. Here are my two efforts:


from the paulownia
without a breath of wind--
falling leaves

remember that house
where they used to grow?

*

from the paulownia
without a breath of wind--
falling leaves

so many years ago 
we planted those trees