A Prayer for Bad Weather

It rumbles again, 

thundering –

the air out there,

the malevolent sky.

Thundering,

please make rain

for my unsoaked flowers.

The air out there

is hot and heavy.

Yesterday I rain-danced.

The malevolent sky

released two tiny, stinging drops,

no more. Oh, stop teasing!

Why I Can't Write About Cooking

Well you see, 

I’m not much of a cook.

I have little patience:

can't do games of chess or recipes.

I’m not much of a cook

except when it comes to the simple –

omelettes, fried mushrooms, grilled fish….

I have little patience

for weighing and mixing and waiting

for the oven to work its measured magic.

Can't do games of chess, or recipes.

The ingredients – rare spices, self-control –

are far too exotic for me; I don’t stock them.

The current Mini-Challenge at 'imaginary garden with real toads' is Cooking Up a Storm. This is not the luscious, foody poem requested! I call myself a 'non-cook'. But it was another opportunity to practise the trimeric, as I am doing this month. (I am breaking rules all over the place. We were asked to write a poem of four tercets, and in a trimeric the first verse has one line more – but it comes very close, so I hope I can get away with it.) PS I know how to play chess, but I always want to play it like Chinese Checkers.

Reaching Beyond

Softly calling

across hilltops

oceans and skies:

the memories.

Across hilltops

as on bird wings –

hear them flutter.

Oceans and skies

ripple with white –

wave tips and clouds.

The memories,

evanescent,

hint and linger.

Thunder

rumbles

far off

I hope

for rain

far off

briefly

fading

I hope

the plants

will live

for rain

refrains

from fall

I had a fancy to try a trimeric with very short lines.

Linking to Gillena's Monday WRites

Crowded House Live on the Opera House Steps

In my living room

I who think I have no beat

tap my feet, my hands drum.

I who think I am tuneless hum along.

I who think I have no beat

sway in time, nod my head, see on TV

the live audience nodding in unison.

Tap my feet, my hands drum,

I'm right out of body-consciousness now,

I'm more in my body than I've ever been.

I who think I am tuneless hum along.

Lights throb, smoke billows, Nick dances.

On stage and off, the melodies rise and fall.

Linking to the Tuesday Platform for 18/4/17 at 'imaginary garden with real toads'. (Day 18 of April Poetry Month 2017)

The Peaceful Place

I will go to Kouranga

perhaps for the last time,

to look out over the trees,

the lawns, the hills, the water.

Perhaps for the last time

I'll sit with my friends 

in this house they made,

to look out over the trees

from their wide veranda. Perhaps 

we'll see the wallabies feeding.

The lawns, the hills, the water

and the gardens, all flowering now,

remain certain: an oasis I carry within.

(My friends are moving soon.)

Linked to Poets United's Poetry Pantry #333

Three Magic Wands

My three wands are magical indeed.

The first was made years ago, by my friend Nedz;

the second was bestowed by Tess and the Universe;

Letitia is now creating my third, which has a special purpose.

The first was made years ago, by my friend Nedz.

She channelled it, using spiral wood that she found 

in the bush and polished, and two amethysts.

The second was bestowed by Tess and the Universe. 

I dreamed of a laser, as wand and athame both. Tess

took me to choose crystals; there was a wand with laser tip ...

Letitia is now creating my third, which has a special purpose.

She has found what is perfect for me in stick and stone.

She will magic it for 'happiness and pure joy'.

How Fortunate, Dear Readers

How fortunate, dear readers, that you enjoy 

all these poems about my garden and my cat.

They are likely to keep right on coming.

My obsessions nowadays are quiet, insular.

All these poems about my garden and my cat

connect me to earthy, practical ways of being. 

Otherwise I might fly off, disappear into dreams.

They are likely to keep right on coming,

the dreams and flights – but so are the frangipani,

the red geraniums, my cat's games and her hungers.

My obsessions nowadays are quiet, insular.

After all, I grew up on an island; and I carry quiet

within me, an interior island of words, of poetry.


Linking to Poets United's Poetry Pantry #331

Take a Breath

Imagine a star,

high and golden.

From each point, light 

radiates out, focuses in

on our world … 

this country … 

this town …

into this very room –

into you, filling you,

filling your heart. 

Breathe it in deeply!

Now, from our hearts,

we send forth
light.

For Quadrille #21 – Take a Breath, at dVerse

Dear Love

Dear love,

when you left me

you did not leave me.

Now I am bound to my house,

where your voice 

murmurs from corners

and sometimes I look up

to catch your face,

your same old smile.

Dear love.

Written in response to The Cross-roads ~ Micro Poetry at 'imaginary garden with real toads'.

Restorative

A couple of days of rain.

My jade plant straightens and grows taller.

The rosebush reaches higher, stretches wider.

The gardenia pours forth bloom after bloom.

My jade plant straightens and grows taller.

Its flat round jewels of leaves

glow greener in the sunlight.

The rosebush reaches higher, stretches wider,

looks renewed. Aged and tired in winter,

now it’s a vigorous youngster again.

The gardenia pours forth bloom after bloom

in purest white, stark yet soft, and the perfume
is seduction, is food, is transcendent heaven.

The Vines That Have Been So Leafy

The vines, that have been so leafy

for so many years (seven)

since they started coming over my fence,

are now a tangle of bare branches.

For so many years (seven)

they have spread to cover this side,

and flowered twice a year (being two vines).

Since they started coming over my fence,

I have been training them, winding them

in and out through each other, thickly.

Are, now, a tangle of bare branches 

more and more replacing the abundant green?

But along the top there are still flowers.

(But by the time I took the photo, the flowers were gone.)

Linked to Poets United's Poetry Pantry #330

Invisible to the Eye

It is only with the heart that one can see rightly; what is essential is invisible to the eye.

- Antoine de Saint-Exupery: The Little Prince.

I used to measure people by whether they could SEE me.

It wasn't meant as arrogance or unkindness –

it showed me my tribe, those few I could talk to openly

about the invisible world, and the invisible me.

It wasn't meant as arrogance or unkindness

when the many others dismissed me as boring, uncool

or whatever. (I never really knew.) How should I interest them?

It showed me my tribe, those few I could talk to openly,

when I saw in their eyes that they perceived the invisible.

But then the Messengers said, 'Time to stop hiding. Shine your light!'

About the invisible world, and the invisible me

were shields, veils, spells of protection. I was used to working incognito. 
I liked the anonymity. To stand out in public and blaze is alarming.

Linked to Poets United's Midweek Motif: Invisibility

This Garden I Keep Mentioning

I often write poems about being in my garden,

frequently accompanied by my cat.

It is a small garden, vines on the fences,

the neighbours’ trees filling my sky.

Frequently, accompanied by my cat,

I sit out under the extended roof

to write in my journal or make new poems.

It is a small garden. Vines on the fences

have spread a long way in my seven years here.

There are two, entwined, flowering in different seasons.

The neighbours’ trees filling my sky

are abundantly leafy all year, stretching wide and high.

Now it is Spring; there are flashes of bright lorikeets.

Photo: Rainbow lorikeet. Free download found via Google.

Linked to dVerse Poetics: Johnny's Garden

My Birth Day

I’ve always loved my birthday being the 12th of November – that number, that name, beautiful in my ears. When, in my romantic teens, sweet Johnny Mathis sang The Twelfth of Never, I secretly claimed it as mine, with the private meaning that I would live forever. (Never mind the logic – I was creating my own.) In Australia, November is late Spring, warming up to expansive Summer but still leavened by breezes and cooler evenings. This year – just a few days ago – I spent my 77th birthday with a congenial friend, cruising on a boat on a tree-lined river, the weather just warm enough. Then we nourished ourselves with a concert culminating in stirring flamenco, a sunset light show projected on the water, and a colourful lantern parade after dark. In late afternoon a wild thunderstorm exploded right overhead – but we were indoors enjoying Devonshire tea just then, and it hit and ran. It only added excitement.

Spring rain

gushes down windows

we can't see through


Linked to dVerse Haibun Monday #25: You say it's your birthday?

Spiritual Explorer

She calls herself agnostic:

a word for one who thinks

there might be a God –

one who remains uncertain.

A word for one who thinks

might suit her well. 

She does a lot of that. However ...

There might be a God?

She asserts there are far too many!

Beyond them, she discerns a Presence.

One who remains uncertain

might keep exploring as she does.

The finding, though, invalidates the label.

Festival Haiku

music speeds
her red shoes stamp

flamenco

mist rises like smoke 

we order wood-fired pizza

parade at sunset 

siblings make a lantern

for the dead boy

Linking to the Tuesday Platform for Dec 6 2016 at 'imaginary garden with real toads'

14, at Trevallyn

I always liked to go alone

on the path through the bush

down to the Gorge and the peacocks.

I would find a staff to help me over the stones.

On the path through the bush

there were many fallen branches 

the right weight and length, firmness and give.

Down to the Gorge and the peacocks 

the way was uneven and steep.
I swapped my skirts for pants.

I would find a staff to help me over the stones,

test the grip, and set out like a legendary explorer,

with no-one to see me as just a weak girl.

Linked to Poets United's Midweek Motif: Path

Saying Goodbye

“It’s the emptiest and yet the fullest of all human messages: ‘Good-bye.”  

― Kurt Vonnegut, Bluebeard

We never said that final goodbye to each other,

always thinking there'd be one more day, one moment,

until there was no time left, it had all run away so fast.

Perhaps, also, we never believed we could really be parted.

Always thinking there'd be one more day, one moment,

we spoke of immediate, practical things – the pleasure 

of a comfortable chair, the view of trees and hills from the high window.

Until there was no time left – it had all run away so fast –

we said what was in our hearts with eyes and touch. 

Goodbye, coming finally to mind, was not in our hearts.

Perhaps, also, we never believed we could really be parted.

How wrong we were! Now the word chokes me with grief.

And how right: you being, after all, still present here, always with me.

Linked to dVerse Poetic Tuesday – Sweet Sorrow

A Quaint Quibble

Queer querents queued,

queasily questing,

quashing their qualms.

Quite quickly

quaffing quince quinine,

the Queen quoth, 'Quiet!' 

'How Quixotic,' 

the Quartermaster

quizzingly quipped.

'I question your quenching,'

he quacked quarrelsomely.

The Quality quaked and quivered.

'I quit,' he quavered,

'quarantining this quintessentially 

quotidian quagmire!'

For Quadrille #20 at dVerse we are asked to write it around 'cue' – or 'Q'.

Cooking Up a Storm, er, Form

There was something about the dizain,

It suited me down to the ground. 

It is not the case with the trimeric.

(I keep wanting to call it turmeric.)

It suited me down to the ground,

the dizain. But the trimeric puts me in mind

of ground-up spices – or, I suppose, ground down.

It is not the case with the trimeric

that my mind rises lightly to the challenge 

like a perfect syllabub. (Syllables are not to be thought of.)

I keep wanting to call it turmeric,

and to take ship for the spice realms

to acquire more flavour, or even a whole new recipe.


Written in response to a form challenge at Poetic Asides.
Sharing (July 2017) with Poets United's Poetry Pantry #364

Reminders

On the street down the hill, half-hearted fireworks 

pop and splutter like distant thunder or a gurgling fridge.

It's the fifth of November, Guy Fawkes night.

I remember huge bonfires, in Launceston in my childhood.

Pop and splutter – like distant thunder or a gurgling fridge –

briefly, then it's all done. Too soon, perhaps, after

the newer habit of Halloween? (Is Bonfire Night dying?)

It's the fifth of November, Guy Fawkes night –

'Remember, remember...' and I do remember

sparklers, Catherine wheels, rockets, penny bungers.

I remember huge bonfires in Launceston in my childhood,

smoke billowing in chill Spring air, our frosty breath, 

the neighbourhood dads in charge: all those certainties.

Being Here Now

There are two new gardenia blooms in my garden.

America prepares to vote for a new President.

In Syria they are breaking eggs to make an omelette.

Dandelions and clover appear on my lawn.

America prepares to vote for a new President

while the rest of the world collectively shudders.

Then each country turns back to its own problems.

In Syria they are breaking eggs to make an omelette.

I mean of course that we are, noble saviours.

And the children there? Can’t be helped!

Dandelions and clover appear on my lawn.

Their bright, dancing faces delight; but I must mow.
I see no bees this year, despite the scent of gardenias.

Linking to the Tuesday Platform for 8 Nov. 2016 at 'imaginary garden with real toads'.

Small Cat Evening

Small cat in the evening sprawls or curls
on the newly-vacated chair at my desk
or next to me on the two-seater couch,
and finally on the other half of the bed.

On the newly-vacated chair at my desk
my smell, my warmth, my imprinted shape
are a comfort. And, she assumes equal authority.

Or next to me on the two-seater couch
she takes her place as my companion
sharing the time while I watch TV, as couples do.

And finally, on the other half of the bed,
she asserts that she belongs, it's her home too,
she has the right – also, we have the love.

Linking to the Tuesday Platform for 15 Nov. 2016 at 'Imaginary garden with real toads'

Small Cat Every Morning

Small cat goes every morning

to examine the tranquil garden:

around, behind, underneath the leaves,

down paths and into corners.

To examine the tranquil garden

needs close inspection, and takes time.

She returns often to my chair, for pats.

Around, behind, underneath the leaves

she may discover new gardenia buds

or lizards. She looks back at me, to say, 'See!'

Down paths and into corners

I watch her explore with nose and alert ears.

She likes to make sure it's safe for her and me.

A trimeric, the latest Poetic Asides challenge.


Linking to the Tuesday Platform for 8 Nov. 2016 at 'imaginary garden with real toads'.

Connection

I can see you now, a slight girl in a slim white slip of a dress, walking past and turning to catch my eye. You remember it too, and the way our eyes locked a moment, before I turned back to my client and you walked on. Your angels told you to come back later and give me a message. 'Don't let anyone tell you that you shouldn't be charging money for this work,' you said. 'You chose to help people this way. You didn't have to. You have a right to be paid.'  The week before, another young woman in a different market had harangued me loudly and publicly, telling me I was wrong to charge money for spiritual work. Your message was a vindication. You told me, too, you could see when I did my readings that I was connecting directly to Source. Impulsively I asked for your phone number. Thereafter, when I myself needed a reading, I would phone and ask you. When you wanted one, you would phone me. We were bridges of light for each other. We quickly became friends. Then you wanted me to be your adopted mother, replacing that other who was harsh and cold. I probably shouldn't have agreed. Now there are times when you hear me as her. If I am puzzled, you take it as criticism. When you react, I feel attacked.  It's easy to find a bridge to God, not always easy to maintain the bridge to each other.

thick cloud

blocks out the mountains

hides the sky 

Written for Haibun Monday #24: bridge at dVerse

Shrinkage

Mist and thick white cloud. The mountains all gone,

leaving only the lower, closer hills

around the suddenly blank horizon

which holds all within, close contained: no spills

of breath, air or leaf. Even birdsong stills

inside this cup, this cauldron of silence

that rings us round. Past the little distance

visible from nearest to furthest ridge,

high peaks and sky are lost – that whole expanse

that lifts the heart up, and beyond the edge.


Linked to Poets United's Poetry Pantry #327