I ... entered the poem of life, whose purpose is ... simply to witness the beauties of the world, to discover the many forms that love can take. (Barabara Blackman in 'Glass After Glass')

These poems are works in progress and may be updated without notice. Nevertheless copyright applies to all writings here and all photos (which are either my own or used with permission). Thank you for your comments. I read and appreciate them all, and reply here to specific points that seem to need it — or as I have the leisure. Otherwise I reciprocate by reading and commenting on your blog posts as much as possible.

Showing posts with label cave paintngs. Show all posts
Showing posts with label cave paintngs. Show all posts

2 August 2013

At Obiri Rock

At Obiri Rock a woman,
chalked on dark stone, floated 
next to the orb of the moon.
Drawn hundreds of years ago,
her delicate lines have lasted.

Around Obiri, the sheltering scrub
was sparse, the grasses 
dotting bare earth. I wanted to be
an Aboriginal child long ago
running that ground.


Note: Obiri Rock is in Kakadu National Park, Northern Territory. The drawings are in a shallow (but tall) cave created by an overhang. I have never seen a photograph of the particular images in the poem, though photos of the many other drawings there exist and can be found by Googling. The ones in the poem were apart, very high up, and not so sharp or detailed as others.

Submitted for dVerse Form For All: Poetry as Semaphore, in which Samuel Peralta (@Semaphore on twitter) invites us to create poems with verses of exactly 140 characters. I found that this discipline 'fixed' an old draft that wasn't quite working before.

My own twitter name is @SnakyPoet. I tend to use it (poetically) for short poems, where the whole poem is 140 characters or fewer, or else to link to longer poems on my blog.