I ... entered the poem of life, whose purpose is ... simply to witness the beauties of the world, to discover the many forms that love can take. (Barabara Blackman in 'Glass After Glass')

These poems are works in progress and may be updated without notice. Nevertheless copyright applies to all writings here and all photos (which are either my own or used with permission). Thank you for your comments. I read and appreciate them all, and reply here to specific points that seem to need it — or as I have the leisure. Otherwise I reciprocate by reading and commenting on your blog posts as much as possible.

11 January 2015

Muse

He is d’Artagnan,
dance and flash —

the grin, the jaunty stance,
the curled plume of the hat.

His dark eyes regard me
in absolute a-Musement

but he’s not saying a word:
this warrior is on strike.

The blade, resting sheathed,
hat and cloak laid aside

proclaim he has
as much time as it takes.

Is it up to me
to coax the words?

Is he Muse or Anti-Muse? Ah …
I know him: Animus.

He winks;
that lazy air

belies his tightening grip
around my pen.

I reach and clasp his hand.
At last — yes — action!


Been tinkering with this for 11 years!  The black-out erasure method helped me pare it back to something which I could then build on anew — using bits of the original, bits of the erasure, plus some new things —and finally get to what I wanted to convey. 


10 January 2015

Scene One

Interior forest: morning.
Tim is eight.
Walking through the forest
he falls, cries out.

A tiny fairy alights.
They talk in a new way
instantly.

She is in his garden.


The dVerse prompt at present is to do a 'blackout' poem. This is my second attempt, using the first section of a practice pitch my late husband, Andrew E Wade, did for his children's novel Jorell, when he was in a screen writers' group. (Jorell was already published as a book but never became a movie.) Below is the original, with and without blackouts:

Interior Forest: morning

Tim Simons is eight years old. Since he was five he has been obsessed with the ambition of seeing a fairy.

On this particular morning Tim is walking through the forest and fails to see a hole in the path. His foot gets caught in it. He falls, twisting his ankle, and cries out in pain.

A tiny fairy, curious about the noise this human is making, alights on a mushroom near his foot.  Tim looks up and is startled by the sight of her. He leans closer.

“Far out!” he exclaims, “Are you real?”
“Yes, b-but you’re not supposed to…humans can’t see fairies.”

They continue to talk but in a new way – by exchanging thoughts.
Now Tim asks Jorell if he can see her again. “Just call me,” she says, “and I’ll come.”

But Tim doesn’t. Jorell wonders where he is, and with her power to be anywhere instantly she is in his garden. Tim is seated with his head in his hands and a grey cloud swirling around his head.

“Tim!” she says loudly. Tim takes no notice. Jorell flies above him and drops a cloud of fairy dust. Tim springs to life, sees Jorell and tells her to go away.  He’s angry. He’d asked his dad about fairies and his dad says fairies are in books not real life.


JORELL

Interior Forest: morning

Tim Simons is eight years old. Since he was five he has been obsessed with the ambition of seeing a fairy.

On this particular morning Tim is walking through the forest and fails to see a hole in the path. His foot gets caught in it. He falls, twisting his ankle, and cries out in pain.

A tiny fairy, curious about the noise this human is making, alights on a mushroom near his foot.  Tim looks up and is startled by the sight of her. He leans closer.

“Far out!” he exclaims, “Are you real?”
“Yes, b-but you’re not supposed to…humans can’t see fairies.”

They continue to talk but in a new way – by exchanging thoughts.
Now Tim asks Jorell if he can see her again. “Just call me,” she says, “and I’ll come.”

But Tim doesn’t. Jorell wonders where he is, and with her power to be anywhere instantly she is in his garden. Tim is seated with his head in his hands and a grey cloud swirling around his head.

“Tim!” she says loudly. Tim takes no notice. Jorell flies above him and drops a cloud of fairy dust. Tim springs to life, sees Jorell and tells her to go away.  He’s angry. He’d asked his dad about fairies and his dad says fairies are in books not real life.

 Jorell suggests Tim start a garden and all the fairies will help. Tim asks his dad if he can start a veggie garden and gets the ok.

9 January 2015

Storm Watching (blackout poem)

Storm Watching

Cool rain
lazy thunder.

Back verandah calm,
the brave uneasy.

Spraying. Pelting.
I am tender.

The front draping, the door
near me. Safety.


Not an electricity blackout, but a response to the latest dVerse prompt. I promised myself that this year I would prefer revisions to prompts, but this prompt gives me a method of revising! I decided to use it on one of my own recent poems which I thought a bit lack-lustre. The original is here.  And the blackout is below. (Mind you, I still don't like the poem, lol. Sometimes they are beyond saving. This was one way to find that out.)


I sit outside in the cool,
in the rain and lazy thunder,
under the wide overhang
of the back verandah.

My companion stretches and shifts
on his blanket, attempting calm.
But his sister was the brave cat.
Without her, he's uneasy.

So we come inside from thunder
and spraying, pelting rain.
I like all that but he, I guess, has no need
to prove himself to me. He knows

I am very tender of him, I won't
challenge or scorn or compete.
Instead I usher him in, get him settled,
Then I find me a spot on the front verandah.

I see him through the flywire
draping himself inside the door,
looking out -- near me
in safety. We are both content.

27/11/14

8 January 2015

The Seventh Night of the Year

Pale faces thronging the dark
the dream only fragments now,
fag ends or tangles of smoke ...
athletic bodies fighting
fierce and fast, like acrobats.
The dim light caught shaven heads,
naked limbs white against grey.

Or tumbling on a trapeze
higgledy-piggledy, but
there was still room for singing.
Singing and swinging alive,
disappearing in distance.
I was caught, one leg fastened
by intertwining others.

Perilous extrication
leaving me fully alone,
leaving me lying alone
on a floor I could not see,
surrounded by smoke too thick
to discern any image.
A distant smell of burning.

Seven turns of the clock face,
seven lean hours of the night.
Seven number of challenge.
Seven explores the unseen.
I woke. My cat on the bed
leaping, pouncing on nothing,
continued to wrestle air.

The seventh night of the year
I made a spell for dreaming.
Did it gather all the dreams
dreams of the politicians,
dreams of teenagers mingling,
pooling inside my one skull
in frantic kaleidoscope?

I remember a woman.
My dress was red and purple.
'These,' she said, 'are the colours
designating a priestess:
from base chakra up to crown
where the light collects and blooms
like an explosive flower.

(When I was seven I knew
I would always be alone
inside the populous town
and the warm family home.
For why? I was the dreamer
'head in the clouds' and my feet
trailing behind, straying slow.)


At Poets United, our Midweek Motif is January Seventh and we are asked to write anything to do with the number seven. In this piece the structure echoes the theme: each line, including title, has seven syllables; and there are seven verses, each of seven lines.

6 January 2015

Ghosts Blow Me Kisses — random micropoetry 2014

(tanka / haiku / two lines / gogyohka)

after so long
we exchange pleasantries
as if normal —
as if years of coolness
were only imagined


13/5/14


loverless
I write erotica
why now?

10/6/14


Who loves me?
Ghosts blow me kisses.

11/6/14


saying goodbye to her
evening shadows fall

8/9/14


striped by sunlight
her purring form
remembered

13/9/14


Sydney
in climate change summer —
and she wonders
if she should buy a fan!
(Been living in England.)

1/11/14


the mystery of tea —
almost
I could forsake coffee

(after reading haiku in praise of tea)

3/11/14


Linking to Poetry Pantry #273 at Poets United.

Licking My Lips: Erotic haiku, December 2014

licking my lips
after the banquet
replete

26/12/14


memory
the smell of your skin
its taste

***

my lips
on your hair
murmuring

***

your fingers
hesitant
then bold

27/12/14


he traces
the slender curve
slowly

28/12/14


hot afternoon
your cool breath
caresses my shoulder

30/12/14

Submitted to Poets United's Poetry Pantry #239 — a bit of erotica in the aftermath of Valentine's Day!

2 January 2015

More About the Dead Woman

(‘Less is more’)

The dead woman
is watching.

She wants to hang on.

The dead woman
taking long sniffs

lets the heat burst.

The dead woman
sits

without turning.

She dreams
that the rain

is nothing.



Threads:
I wanted to try an erasure poem.
I had discovered that my 'Dead Woman' poem was incomplete, as the form is supposed to include a second piece: 'More About ...'  (So this is the companion piece to the first one.)
I did the erasure on my own original Dead Woman poem, with the idea of saying something new (more) while paring it right down (less).

11 December 2014

Guantanamo

 The former US vice-president Dick Cheney has defended the CIA torture programme as ‘absolutely, totally justified’ The Guardian

We all remember the towers collapsing
over and over again on our TV screens,
crumbling downwards in clouds of smoke,
and the tiny figures falling, falling.

We all recall the following reports
of all those cell phone messages.
'I love you,' they all said, the most important 
last-chance truth to tell before they died.

Now you claim it was in their name
you committed.... Torture; who does that? 
How do you choose, how do you train
those who will coldly perform cruel harm?

What startles me is the fuss of surprise
now that the facts are out. Surely,
didn't everyone know? I did! I only
had to look at the Aussie they returned.

He came back broken. And the other,
the one they kept so much longer,
his health will never recover from years,
yes, years of — say it — torture.

News flash, CIA: you can't get
useful information from innocent men.
This country is their home and it's mine:
so they are family. My anger is not done.

And I understand America's anger
at the burning towers and the bodies
forever falling. But now your Government 
is just the same. So is ours. They knew.

And if they didn't, they should have known,
not turning the blind eye, swallowing lies.
There is no justification. There never was.
We are all terrorists until we reject revenge.

Submitted for Poets United's Midweek Motif: Human Rights 

10 December 2014

Announcement — SHE TOO Calendar. A great gift for yourself or another poetic soul.



A monthly calendar of your favourite pin-up poets and sample poems. Click on the pic to view and buy.

OR














Buy the book (over there in the right-hand side bar, see) and get a free one-page calendar as a gift (just the rudie-nudie photos as above!).

For details, click here.

Lift up the covers: Erotic haiku and tanka, November 2014

your voice
an old recording
I’m caressed

1/11/14


Dangerous Flirtation

Hiked up my skirt
danced at the edge of the swell
teasing bare-legged.
The ocean kissed my toes
then surged up past my knees

10/11/14


under his touch
I myself can feel
how soft my breasts

12/11/14


your heart
beating strong and rhythmic
beneath my ear

***

my head on your chest
I listen
to your heart dancing

#lune

15/11/14


warm breath on my skin
his whispers
turn into kisses

#lune


22/11/14

















lift up the covers
to bare all
the smiling poet

#lune

Promotional pic for SHE TOO

28/11/14


Linking, on 28/3/15, to dVerse Open Link Night #145

8 December 2014

Alice Afterwards

It’s such a fine day, she thinks,
as she saunters down the path to her gate —
a late morning after
her fine night painting the town
red and other colours.

The adventure of escape
no longer leads through rabbit holes
or mirrors. Now she needs
more control, can’t leave the kids
for unpredictable lengths of time.

But if anyone ever had cause
to become an artist — all
the bizarre and beautiful
things she’s seen….
So she slips out at night.

While husband and children snore,
she’s away with her spray cans.
Her signature, Lice,
is so obvious if you know.
But no-one knows.

The slight figure, like others,
is hooded in the dark. She is still
slim and small enough to pass
for a teen, a boy. They never talk
if they even meet. It’s a solitary thing.

She’s fond of solitude now,
having all those offspring and him
in the busy days. She likes her space,
in those silent hours when even
drunks and the homeless are asleep.

She needs no potion these days 
to be tall as a tower, tiny as a flower;
no smiling demonstrations
of a disappearing act. She has her own
magic, dispelling walls.

At 'imaginary garden with real toads' last Friday, Fireblossom asked people to write mash-ups, putting someone famous in a new and different situation. I only just discovered this prompt, a few days late, and it caught my imagination.