Words of Power

The man next door

is beset by demons.

When he's off his medication 

I hear him banging around

trying to fight them off. 

He always resorts at last 

to his most potent curse

which he yells with grim intensity

and awesome courage: "Fuck off!" 

Judging by the sudden silence,

it works. Then he switches on

his talkback radio, loud

enough to hold the spirit hordes

back beyond his walls:

words from the outside world

making a noisy babble in his ears 

to drown those other messages 

only his ears can hear.

I have words for him too.

"If you keep using my phone

or cadging milk and sugar, 

I'll need you to pay." (Thinking, 

"I'm not your mother.") Now 

he never speaks to me, which I prefer….

But he's in the right place. Every night 
I send through the fence, like lasers, 

the words "Light" and “Love".

Magaly, in Art with Me at "imaginary garden with real toads" says she believes words have power (I do too!) and that they can be a way towards healing (so do I!). She asks us to explore "one or three (even thirteen) things you believe words can do for you and others". 

"Plenty of Time Later," You Said

Dear, one day

I might die,

and most likely

(we could suppose)

before you do.

Such a thing

need not matter –

need not sound

the faintest bell

inside your mind.

Already you stop

the taking in

of my presence

in the world.

I am erased.

The real erasure,

when it happens,

will be anti-climax.

You are wise,

are you not?

How Do You Like Your Blue-Eyed Boy, Mister Death?

Thank you, I like him fine.

Buffalo Bill will never 

not be handsome now,

and his prowess won’t deteriorate.

And when I give him back

to the cradling earth again

– for I don’t get to keep them, you know –

dressed in a new body and sporting a new name

perhaps you’ll meet him once more, in a different dream 

… unless it is you I am holding then. 

Unless it is you I lead by the hand
to your new, true awakening….

At "imaginary garden with real toads" Brendan asks us to "dance with a ghost", i.e. to respond to another poem. (Well no, it was to play tennis, but I prefer to dance.) The original e. e. cummings poem is one of my favourites – and hey, if someone's "defunct", they're really a ghost! (I have read the cummings poem bitterly in the past, identifying with the questioner. So in a way I am here talking to myself, using Death's voice to persuade myself of a different, kinder perspective.)

The "different dream" is an allusion to the final passage of Kahlil Gibran's The Prophet, and in Death leading one by the hand I was recalling Sir Terry Pratchett's lovely posthumous tweet (involving his fictional character, Death).

Summer Evening

The heat cools to comfortably mild.

I look out the front door

and see, on the top step,

my dear man taking the air

in his chair on the landing.

Our pantherish old black cat, Levi,

sprawls near him on the mat.

Tortoiseshell Freya is curled up neatly 

close by on the second step.

And there's me. I am sitting  

on the top step, leaning back

against the rails: positioned to see,

talk to and touch all three....

             *********

It's five years ago and more. 

All of them are dead now.

Even on such a pleasant evening

I never sit, these days, on 

the front steps, enjoying the air.


Sharing at Poets United's Poetry Pantry #388.

Featured by Sherry at Poets United in Poems of the Week: Furry Feline Friends We Have Known and Loved, along with poems by Toni Spencer and Susan Chast.

The Opening of Doors

I usually barge right on through, and usually

there is some light on the other side, even

when one might think I’d have done better

to leave that door shut. Sooner or later 

there is always light – some – and  often

a late burst of unexpected brilliance … and

sometimes the door opens onto sustained

sunlight, and I need only enter and bask.

And there are times when I’m just here, 

and a door opens to let someone else 

come through, towards me, and that 

can be sweet or exciting or possibly

nothing at all – but nothing demands nothing, 

which is restful; and so, one way or another,

I tend to like it when doors open: I tend to see it 

as a good thing … for the most part, anyway.

Best of all is when doors become irrelevant:

when, instead of traversing some boundary or

entry, some turning-point or edge, we rise

skyward, unfettered, on waves of pure thought:

lifting into flight, cavorting on clouds, floating

and dancing in long arabesques, ethereal

pirouettes … which pleasure is encompassed

even better together, and so let our minds 

entwine. Meet me in the middle of the air!

The final sentence is stolen from a Paul Kelly song based on the 23rd Psalm. This particular line, which he inserts into it, is by Kelly himself and not the psalmist – and has different connotations from those I give it here.

This poem was inspired by the Doorway(s) prompt at Poets United this week.

A Manifesto for the New Year

I have not got the music

but I have the words.

I have not got the dance steps

but I have the words.

I have not got the numbers

but I have the words.

I have not got the science

but I have the words.

I do not have the lovers (any more)

but I (still) have the words.

I call out loudly with the words.

I throw my arms up and my head back,

shouting the words triumphantly.

I whisper softly with the words,

bending close to your secret ear

and breathing them, 

exhaling so lightly you can hardly feel –

but listen hard and you'll hear.

Sometimes I shout them in rage. And outrage. 

Sometimes, I wish to whisper venom.

The words are mine

to do with as I will.

(God said so, 

who gave them to me at my birth.)

I can make them sing, 

I can make them dance.

I can make them count.

I can make them explain – if you will follow –

the secrets of the Universe.

I can make them bring back my lovers.

Yesterday is breaking up, falling away.

Yesterday is getting thrown out with the garbage.

But the old words live on,

unable to be entirely discarded.

Words have power. I call up the power

from deep inside. I call up the words

from where they too are anchored within.

I set them free. I let them loose.

Now I make them new, like seedlings, like cubs.

They will play. They will grow. They will climb all over you.

At 'imaginary garden with real toads', Bjorn invited us to write a manifesto for 2018. I am not much for such things ... but then I watched Patti Smith on YouTube (who does have the music and the dance as well as the words) and – in the mysterious way it happens – suddenly became inspired.

Also sharing this at Poets United's Poetry Pantry #386