Rearranging His Office Eight Months After His Death
So here I am in play,
in the window the sun
pouring through the trees
on the pretty street.
I have this morning
the essential power.
This will be —
not left until summer.
Not that closed door
for fear
(never look out,
especially at night).
Around all his boxes
of notes and papers
it was more and more
crowded; it doubled,
everything swivelling
at right angles.
Outside the door,
walking got harder.
Quiet cul-de-sac …
the cars come slowly.
His desk and table
are long gone.
Intention
White light
is clear motion.
Follow. Find.
Allow this warm sun
through the crown
sink into you
and body
wedged into place
to settle light.
See the whole.
Around it flows, down,
into the earth,
long, as he
nodding off
crashed into that
table — and
there are two beds
as day beds between
body visitors that
support here times
with the essential.
My head nearly down,
or on a chair,
morning suits me.
Spent a lot of time
a minute ago
to this day
making my home
as I finished
coming in to sleep.
Just allow
the beds, light, the rare, the past,
the intention.
I have what I
had been,
done
though not
your body
Andrew.
And out loud to
myself as if inviting
your body into lying.
Then this
had no need,
in this pleasant space
in our real beds.…
Pang!
That is the past.
Even spoke
him to admit
(more).
Is where it was
causes a slight
unwell and
your head —
Well, what do you know?
They should function.
On to the desk. That’s what
kept it fuctional!
So I’ll, on one of,
one that for so very …
Ah well now, I …
as in for Andrew …
and have a stab.
(It had evidently been
have overnight.)
Fell apart as I removed it.
Any little office snooze
gives relief and soft …
Warm
I am light form
and
it is red,
red through to the
and out the centre
away by the Earth,
as a day
became more and more.
Submitted for dVerse Form For All: Dada poems with scissors.
My text was one of my blog entries, a bit under one and a half printed pages long. The subject was the same as the title of the first poem above. The first page of my text provided this first poem. I used a black marker rather than scissors, to block out all but the words and phrases I wanted to use. Then I rearranged the order until it all made some kind of sense.
But I'm not sure if making logical sense is very Dada, so for the second one I cut it up with scissors as instructed. I soon got bored with chopping it up horizontally, so changed to vertically — but not in straight lines, as I cut around words and phrases. I had printed it on scrap paper with someone else's text on the back, so for this poem I also used what was on the back. As I didn't cut with relation to that text, some of those words had become mere fragments, unusable, but I used what I could. This was a much more playful exercise. I still tried for some kind of bizarre logic, but it wasn't possible to make much real sense out of the cut-up pieces. One instance of the word 'intention' from the second text appeared in capital letters, so I chose that as title for my second piece.
See also next post for computer-generated versions of the above, LOL.
See also next post for computer-generated versions of the above, LOL.
Awesome.. and not the least how you used the two sides of the paper... very creative and smooth
ReplyDeleteAllow this warm sun
through the crown
sink into you
sounds like real poetry... yes this was fun
The first two stanzas drew me in and then I was hooked. Lovely.
ReplyDeleteYou know, actually I liked the first poem better because it DID make sense. And I can feel REAL emotions. "His desk and table are long gone," etc. It seems you used a similar process for that one as I used for mine. However, I did not rearrange the order. The second poem is interesting, playful, creative, but I am one who always seeks meaning....but for me a little dada goes a long way. Smiles.
ReplyDeletehaha but it become more and more for sure....i like erasure poetry but the total randomness of the dada poems is very alluring to me....there are enough coherent bits in yours as well there is a story there...but enough rough edges to see it was random...inviting your body into lying...
ReplyDeleteReally intersting tender pieces, Rosemary. The first worked as more of a whole for me, but the second, though more diffused, had some really poignant emotive sections. Both have great gravity and simplicity and really convery deep mourning. They are wonderful. k.
ReplyDeleteThis is Karin Gustafson - Manicddaily - blogger wants me to use an old blogspot blog.
Both are actually pretty readable to me--maybe my mind is more random than I think! The first stanza of the second poem is quite nice.
ReplyDeleteit was more and more
ReplyDeletecrowded; it doubled,
everything swivelling
at right angles.
Quite a chore going through what others left to us. Both poems are great Rosemary! It's fun going through the process. Got that feeling too!
Hank
Love what you did on the second one, reworking from the first ~ The over all output is very good, specially the ending lines ~ Beautiful ~
ReplyDeletenice..i like them both and i love that you used different ways to get there....White light
ReplyDeleteis clear motion.
Follow. Find.
ha - love that start
Both of them very creative and poetic. There's always meaning to find, no matter the situation. Nice job. -Mike
ReplyDeleteThere is warmth in both though the directions might have beenn different. Nevertheless,, warm. I saw your second link. Will come by later for that
ReplyDeleteLove them - and the second resonates! Sounds pretty much like my muddled thought-process as I crawl out of bed in the mornings...
ReplyDeleteAnna :o]
I like both, but love especially the use of light (white to red) in the second. And warm...
ReplyDeleteThank you.
I love your process and product. These experiments are so good for the mind and I find that they continue to influence me, allowing me greater freedom in my everyday poetry.
ReplyDelete