I remember processions of women
winding their way on narrow roads
to the temple.
Their sarongs were edged with gold,
their kebayas lacey.
I remember the deep colours:
vivid pinks, magentas,
inspired by hibiscus and bougainevillea.
And on their heads
high, conical towers of offerings:
trays of food and flowers
in colours to match or outdo
the kebayas and sarongs —
piled to impossible heights,
and tapering
to the tiniest points at the top.
Every offering,
every portion of every layer,
was an intricate work of art
created lovingly
without hurry.
And without hurry
they walked to the temple
straight-backed, with gently swaying hips.
The serenity
of those petal-soft faces
completes me still
as I gaze in recollection.
Watching the processions pass,
not with fanfare but simply
as day-to-day life,
day-to-day life becomes enough.
November PAD Chapbook Challenge 2010: 16/1
Prompt: a stacking poem
I ... entered the poem of life, whose purpose is ... simply to witness the beauties of the world, to discover the many forms that love can take. (Barabara Blackman in 'Glass After Glass')
These poems are works in progress and may be updated without notice. Nevertheless copyright applies to all writings here and all photos (which are either my own or used with permission). Thank you for your comments. I read and appreciate them all, and reply here to specific points that seem to need it — or as I have the leisure. Otherwise I reciprocate by reading and commenting on your blog posts as much as possible.
20 November 2010
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